Greetings from Puerto Rico! Well, not really, but Mike and I went to PR to see Hamilton and we had so much to say that I had to split our recording into two episodes. We tell you about our full #HamiltonPR experience from meeting listeners, to hanging with Lin-Manuel Miranda and the cast backstage, and of course diving into the performance itself. We also tell you about the beautiful island of Puerto Rico, and the many reasons you should visit!
If a vacation isn't in the cards for you at the moment, please take some time to check out:
The theme of Kurt Crowley's third episode (and all of his episodes, really) is "beautifully nerdy." We talk Kurt's impeccable mashups, conducting big moments in the show (the big WAITs in "Wait For It" and that final moment with Eliza), and Kurt gives advice for anyone who wants to be a Broadway musician.
Kurt Crowley is back for round two and this week we're talking about how Hamilton has its very own Department of the Treasury (aka the music department) and how they are - still! - constantly making sure the music is on the up and up. Kurt also gives insight into the rehearsal process now that HamFans are being cast in the show and they have to unlearn the album, which is a lot harder than you may think. AND! Kurt goes in on the "Toronto/Company Screams in Chaos" part of "The Room Where it Happens" to make sure we know *exactly* when to chime in with our approved location.
Kurt Crowley, Hamilton Broadway's music director, kicks of 2019 with three mindblowing episodes. In this first episode Kurt pulls back the curtain on the #SNOB tradition (Saturday Night on Broadway), tells stories from the earliest days of Hamilton, goes in on his friendship/working relationship with Alex Lacamoire, and plays tons of motifs and musical gems because OF COURSE I MADE SURE THE KEYBOARD WAS PRESENT!